The smell of summer

Working at home during lockdown means I haven’t been commuting. At first it was not something I missed. Some mornings, I’ll admit, I’ve got out of bed at 8.57, gone down stairs to my coffee table desk and turned on the laptop still wearing my pajamas. It felt liberating but now I find myself struggling with the lack of accountability that comes with no physical presence in the office. I’m sitting, alone, for hours. It seems that everyone is reverting further and further in to the virtual world, client meetings became video calls, the video calls became phone calls, the phone calls are now, mostly, emails. I can go a whole day without speaking to anyone. It is becoming harder and harder to self motivate.

I needed to pick some papers up from the office last week. I could go in at any time but, in an attempt to restore some sense of routine, to start the working day with a brain that was more than three minutes awake, I left the house at 8am on Thursday to ‘commute’. It was a warm morning after a few days of rain and, as I walked along the old railway path, I was suddenly overwhelmed with nostalgia. A large patch of grass had recently been cut and a strong scent of school playing fields rose from the drying debris.

Smell is such a powerful sense; it has the ability to transport us, instantly, through time and space, and yet it is probably the one that is least considered. As a child I’m sure most people have pondered the question, ‘would it be worse to lose your hearing or your sight?’, but to lose your sense of smell? That never featured in our games of ‘would you rather’ and I’d bet it didn’t in yours.

In 2020, all thoughts return with a magnetic inevitability to Covid 19. Loss of smell, and taste, are now officially recognised in the UK, and many other countries, as symptoms and, as I filled my lungs deeply with memories of handstands, candy-stripped cotton dresses and the end of break whistle, I was also overcome with gratitude to have escaped the sickness so far. Right there in the middle of the path I stopped, closed my eyes, tilted back my head and spread my arms wide, absorbing the hot hug of the sun before walking on, up and out of the railway path and on to the street, where the growing heat was having a less poetic effect on the communal dustbins. I have never been so glad to smell rubbish.

With my ‘commute’, a weekend of DIY and some general wanderings, I completed a further two stages of my virtual Camino Primitivo, Lugo to Ferreira and Ferreira to Melide. Just 53km to go.

O Cadavo to Lugo – 100kms to go!

The weather has taken a turn since last week’s sunset musings.  The temperature has fallen and so has the rain, but that doesn’t matter when you are travelling virtually and most of your steps are indoors.  I am also back at my virtual office, spending my days on Zoom calls, sending emails and drafting documents from the coffee table in my living room.  During my week off we made good progress on what will become our dining room and I am very much looking forward to having a proper table to work from, probably just in time to go back to the office for real!

I have accumulated a little over 30kms since I last wrote, 209.14kms in total.  This brings me to the town of Lugo, 100kms away from Santiago and two thirds of the way through our journey.  At my average rate of travel it will be four more weeks before my pilgrimage is over.

I have been feeling a little disconnected to the route, clocking up distance just by living and almost arbitrarily assigning it to stages of the Camino Primitivo.  Following the success of watching YouTube videos of ‘real’ walkers, I decided to look and see what other inspiration I could find and came across a film called ‘The Way’ on Amazon Prime.  Written and produced by Emilio Estevez, and staring his father Martin Sheen, the film follows a group of pilgrims who are walking the popular Camino Frances which starts just over the border in the French Pyrenees (hence the name) and at almost 800km is much longer than the Camino Primitivo.  I won’t give anything away about the plot, in case you would like to watch it for yourself, but I must admit that I enjoyed seeing the landscape of northern Spain and the interiors of some of the Albergues (pilgrim hostels) more than the story.  The plot itself is full of potential but for me the execution left a bit to be desired and some of the characters were poorly executed.  Despite a claim not to carry any particular ideologies or messages, there were elements of the main female pilgrim’s back story and the conclusions that you were invited to draw about the reason for her journey, which personally made me uncomfortable in the way they were represented.  That being said, overall the ‘The Way’ was an interesting, and at times funny, watch and it was perhaps naive of me to be surprised to find conservative Catholic undertones in a film about pilgrimage.

 

Berducedo to O Cádavo

I have made up some ground in the last week and have covered about 70kms, completing three more stages of my virtual Camino Primitivo: Berducedo to Grandas de Salime, onwards (and upwards if I were walking the route for real) to A Fonsagrada and then over the last high and steep stretch to O Cádavo.

The pick up in pace is partly thanks to the 13kms I covered walking to and from my office on Friday (read about that rather strange experience here https://virtualcamino.art.blog/2020/06/20/workplace-pompeii/) and party because I have taken this week off work. Since Saturday every day has been full of house renovation tasks, including 6 hours of floor sanding yesterday. I have DIY’d my way through those mountains and oh do I feel it!

Today has been a bit of a rest day and a hot one in my city. I am writing this in my back garden, watching the late evening sun of northerly midsummer dip below the rooftops and listening to the bedtime birdsong. Tonight’s performer is a blackbird who has become a bit of a resident fixture in the last few months. This week I have also noticed regular visits from one particular pigeon, identifiable because it only has one eye, and who is often accompanied by two crows. I have named him P’Odin. A good omen for a traveller.

Workplace Pompeii


Yesterday I went further than I have in a single day for more than a week. For the first time in three months I visited my office, a journey of a little over 5km each way. Use of public transport is still discouraged where possible and so I walked. It’s a route I began taking regularly back in March when the rumours of the severity, and contagious nature of covid-19, started to crystallize in to something of greater substance, when social distancing was an independent decision rather than government mandated.

On my way from suburbs to centre I pass by some of the city’s famous sights. The first landmark is Easter Road football stadium, which I reach shortly after emerging from the greenery of the old railway path.  The motto of the club, and this part of town is ‘Persevere’ (read more about the significance of this mantra here). It is emblazoned on the stadium wall, the giant lettering loud in the empty street.

A little further, and over the brow of one of the city’s seven hills, is Holyrood Palace, the historic home of Scotland’s royalty; opposite, in stark contrast to the 16th century turrets and curlicues, is the opinion dividing modern architecture of the parliament buildings. Today the haar has descended, a cold, peculiarly Scottish mist, that rolls in from the sea after hot weather.  It hangs heavy over the water features and formal gardens, shrouding Arthur’s Seat, the slumbering volcano at the city’s heart, hiding its peak from view.

Another kilometre down and I am in the bowels of the Cowgate. Once this was the drovers’ path in to the city.  Now it is home to most of the big nightclubs, vaulted, subterranean spaces, built in to the very foundations of the bridges that soar, 40, maybe 50 metres above.  The urban canyon opens out in to the Grassmarket.  Usually a bustling tourist trap of overpriced pubs and tartan peddlers, it is eerily quiet. This is the first time I have been here since lockdown began.  Some of the shops and restaurants have chosen to board their windows. It seems an unnecessary precaution. There are no signs of vandalism.

At the far end of the Grassmarket, my office almost in sight, the unmistakable rock topping castle dominates the skyline. 13 years ago this month, I got married in its gatehouse.  My thoughts turn to friends and family whose weddings have been cancelled this year as a result of the virus.  2007 seems a very long time ago indeed.

And then I am here, at a place both alien and familiar, somewhere I have spent more time than anywhere else in the last decade.  The first change is the large perspex screen at the foyer reception.  The dry humour of the concierge is, however, the same. 

Inside the signs are immediate.  One person at a time in the lift.  It’s eight flights but I opt for the stairs. The signs continue.  Keep left.  Stay 2 metres apart.  Allow others to pass.  I am the only person here but I’m British.  I keep left.

I exit the stairwell at my floor, use the elbow operated hand sanitizer dispenser, take a deep breath, swipe my pass and open the door. I am greeted by a workplace Pompeii. Three months ago 300 people left this office in a hurry, 300 people assumed they’d hide at home for a few weeks and all this would pass. There are mugs and pens on the desks, jackets on the backs of chairs, formal shoes discarded haphazardly. It feels like the set of a disaster movie. It also feels like I’ve popped in at the weekend and everyone will be back on Monday.

I do what I came here for and then I leave. The walk home is slower. I’m carrying a rucksack and two bags of rescued possessions. A storm is threatening and as I get to the railway path the first drops begin to fall. I resist putting my coat on for as long as possible. I can’t remember the last time I was out in the rain.